
Pupi Avati
Directing
Pupi (Giuseppe) Avati was born in Bologna in 1938. After attending school and studying Political Science at the University of Florence, he started working at a frozen food company. At the same time, he developed a passion for jazz, becoming a proficient clarinetist. In the second half of the 1950s, he formed and played in the Doctor Dixie Jazz Band, of which Lucio Dalla was also a member.[3] Although he initially intended to be a professional musician, Avati felt he lacked the necessary talent. In the mid-1960s, he decided to dedicate himself to cinema after seeing Federico Fellini's 8½ and its portrait of the role of a director.[4] Avati's passion for music, as well as his love for his hometown, which was the setting of many of his films, were to become recurrent themes found in his productions.

Painted Screams
Sé stesso

La nostra magnifica ossessione - Bernardo Bertolucci e la sua generazione

L'incanto
Self

Alberto Sordi Secret

Biasanòt

Souvenir d'Italie

La Piazza che verrà, Bologna e il Cinema
Self

La voglia matta di vivere
Self
Pupi Avati, la tavola racconta

Vorrei sparire senza morire
Sé stesso

Paolo Conte, Come Away with Me
Self
Lili Marlene - La guerra degli italiani

Italy Possessed: A Brief History of Exorcist Rip-Offs
Himself

Executioners, Masks, Secrets: Italian Horror in the Sixties
Self

Bava Puzzle
Himself

The Day of the Two Holy Popes

27 aprile Racconto di un evento
Self

Gian Luigi Rondi - Vita, cinema, passione
Self

C'era una volta il prossimamente
Self

Welcome Mr. President!
Potere Forte
Noi c'eravamo
Self

Portrait Of My Father
Self
Flaiano: il meglio è passato

Pietro Germi - The Good, The Beautiful and The Bad
Self

Pupi Avati: Questa sera vi porto al cinema
Self







