Hisayasu Satō
Directing
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
Escape 3: An Interview with Hisayasu Sato
Self
Revenge in S&M: An Interview with Hisayasu Sato
Self
Walking in Circles: Shinjuku with Hisayasu Sato: Part 3
Self
I'm Being Watched: An Interview with Hisayasu Sato
Self
Lost in the Bedroom: An interview with Kyôko Nakamura
Self
Walking in Circles: Shinjuku with Hisayasu Satô: Part 2
Self
Unidentified Followed Objects (UFOs): An Interview with Hisayasu Sato
Self
Autumn
Japanscope, panorama de la nouvelle Nouvelle Vague
Cross the Lens
Self
Tokyo Elegy
Detective
I Stand Alone - SEX & LOVE
Chikan densha: Iyarashii kôi
Man drinking sake
Cruising Love Story
Man in gay couple
Groper Train: Start at the Back
Cameraman
Groper Train: Final Stop
Man groping school girl
Zetsukin gyaru: Yaruki munmun
Wakazuma Misshitsu Bôkô Jiken
Pink Physical Examination
Female Prisoners: Brutal Treatment
Hometown Porn Girl 18! Seeding Festival
Delivery Wife: Get Wet!
Crying Rope, Missing Black Hair
Young Wife Assault Pervert