
Lothar Lambert
Directing
No one in Germany can more justifiably call himself an independent filmmaker than Lothar Lambert: 41 films to date since 1971, almost all financed out of his own pocket, as producer, director, screenwriter, actor and, time and again, as editor, cameraman, sound man and distributor. Cinema about sex and longings, self-realization and psychological deformities, desires, the weal and woe of the little-noticed in the (initially only West) Berlin urban jungle. And it is as authentic, shocking and tragicomic as you rarely find in this country. Because they were unusually weird and "dirty" in terms of content and form - especially for the well-behaved German standards - Lambert's works were quickly classified as "underground" in the seventies. And have recently been increasingly ignored by critics and film historians. Having long since become documents of the zeitgeist and thus of contemporary history, it is long overdue to (re)discover these works.

Carl Andersens Underground der Liebe
himself

Lost and Found in Underground: Lothar Lambert's Psycho City
Self

From Here to Vanity

Blonde to the Bone
Nachbar

Love/Hate Lola
Lola

A Fairy for Dessert
Julchen

You Elvis, Me Monroe

Kismet Kismet
Kobay
Wolfgirl
Kurtchen "Marilyn"

Fucking City
Kurt

Dirty Daughters oder Die Hure und der Hurensohn
Betty

The Nightmare Woman

Now or Never

Late Show

1 Berlin-Harlem

A Touch of Longing: His Fight







