Davide Pozzi, who oversaw the delicate process of scanning the original camera negative, discusses the restoration of Alain Resnais' 1959 film HIROSHIMA MON AMOUR with cinematographer Renato Berta, a special consultant on the project.
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Davide Pozzi, who oversaw the delicate process of scanning the original camera negative, discusses the restoration of Alain Resnais' 1959 film HIROSHIMA MON AMOUR with cinematographer Renato Berta, a special consultant on the project.
